Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
takes over an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
with ideology, which means: not the individual, but the
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its activity is an
intense agitation and a constant systematic propagating,
offensive. Any social activity the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as stock theatre, or popular culture with a
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's musical is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in is becoming strained, only force remains as the
ultima ratio of social integration. The force must the form of
systematic, physical and terror, organized in accordance with
social relations. Terror is a function of productional power,
which extorts and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the terror becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, which rudimentarily the consciousness of people,
through performances of ritualized demonstration of political power,
and through manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to discipline and raise a
feeling of total adherence of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
constructions, and of rock concerts is to challenge collective
emotions and automatic associations, and as such it serves as the of
working stimulation. By the consumer's mind, it drives him into
a state of contrition and total obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and structure uncovers the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
form, but the material of Laibach, manipulation of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as such the most appropriate means of manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]